The great thing about an advanced Spanish course is that it's not centralized on grammar and vocabulary building. We learn tons of new words from all of the reading we do, and our use of grammar becomes more refined for the same reason, but we don't focus on it. Exploration and learning how to think beyond a list of words (that we supposedly need to know but never actually come up in real life) help us to truly grasp the language. Every day it becomes more beautiful to me. So maybe you won't take as much from this as I do, but I'd kinda like to share one of my favorite things we've discussed so far en mi clase de español.
If you look at the two pictures, you'll notice they are very different depictions of the same woman, the Virgin Mary. On the left, is the traditional version, and on the right the modernized, female power one. I'm not much of a feminist, but for some reason I really enjoyed this topic. So we see Mary on the left, prayerful, silent, covered from head to toe, obedient. And being held up by Baby Jesus (whose wings are the colors of the Mexican flag. Yee.) Maria, especially for the Latino culture has always been the shining example of purity, chastity, and meekness for the ideal woman.
Then there's Yolanda Lopez's representation, which combats each and every one of those binding female stereotypes. This famous Mexican American painter is well known for her portraits of controversial social subjects, but that doesn't stop her. She should have come to Cal instead of UCSD. Anyway, this painting is very very different from the original. First, she's got real shoes. Pretty sure sneakers didn't exist in her day. Probably one way for Lopez to show how times have changed, and how the woman is changing with it. And underneath those sneakers is sweet Baby Jesus, a visual way of saying "Yeah, my body can make babies. Doesn't mean I have to." Mexico remains stalwart in trying to uphold the female role of child rearer as well as seen-and-not-heard wife; Lopez may have recognized our country's acceptance of a new direction, possibly shown through the red, white, and blue of the downtrodden bebe.
Other details we noticed were su melena suelta (prettier way of saying she let her hair down) y su piel exposado (blunt way of saying her skin is showing). What's more, she's got the snake of sin clutched tight in her hand. Gone is the condescension, and she wears this triumph in her smiling face, and on her back, with the covering that she turned into a cape. She is powerful, she controls what she does and how she does it. I love the movement in the painting, she is so mobile, going wherever she pleases. This woman can be whoever she wants to be. This woman has a voice.
And then we tied it all together using a Shakira video.